Painted Names

Type a name. Build a painting.

A personalised print shop where every letter is an original artwork, and the customer chooses the style of each one.

Client
Self-initiated
Role
Concept, illustration, brand identity, product design, web build, artist partnerships
Year
Ongoing
Tools
Fresco, Photoshop, Claude Code, GitHub, Gelato
Status
Launching before Christmas 2026
PAINTED NAMES spelled in assorted painted letters, each from a different letter set

Where it started.

For years I’ve been painting letters in experimental ways, playing with letterforms and objects as letterforms: bananas, mountains, cathedrals, robots, cake. What began as a personal obsession with letter-art slowly turned into requests. Friends, then friends of friends, started asking me to paint particular words or names.

Every word became its own little world.

The opportunity.

Commissions don’t scale. Every name was painted by hand, one at a time. But the demand told me something: people love giving a name as art.

Custom name prints already exist. The ones I found are built from photographs of letter-shaped objects, and none of them combine pre-made letters by artists in one print. So I set out to build one where every letter is an original painting.

Not photographs of letters. Paintings of them.

Type a name, then tap any letter to change its style.

Early feedback from testers has been brilliant, and two friends have already ordered prints before launch.

Play with it.

Every designer knows the joy of trying a word in a hundred fonts, until it feels right. I wanted anyone to have that feeling, not just designers.

So Painted Names is a builder first and a shop second. Type a name, and it appears on a canvas in painted letters. Tap any letter to swap its style. Keep going until it’s yours.

The brand.

The Painted Names wordmark in brackets
The [PN] icon

The brief to myself was simple, playful and clear: part gallery, part toy.

The brackets are the frame. They hold the name the way a canvas holds the print, and they echo what the customer is actually buying. The heavy, rounded letters tilt slightly, as if they’ve just been dropped into place, like letter tiles in a game.

Everything else stays clean and light, so the artwork is always the loudest thing on the page.

The business.

I designed Painted Names to run itself. Every print is made to order and posted by a print partner, so there’s no stock, no warehouse and next to no overheads.

It’s also built to grow. Every artist who joins adds new letters to play with, and earns a share whenever theirs are used.

What’s next.

Painted Names launches in the UK before Christmas 2026.

Next, it grows from one artist’s shop into a curated platform. I’m in conversation with letter artists I admire on Instagram about joining as founding artists. Each one earns a share of a 15 percent royalty pool every time their letters appear in a print, so the more people play, the more the artists earn.

After that come curated word prints like HOME and LOVE, baby-name and couple-name prints, and the US.

Build your name →
Torren Pietzsch
Hi! I’m Torren Pietzsch, a London-based designer and creative producer. Below are some of my creations, feel free to look around!
all 16 projects
2024▶ preview

Briki

CASE STUDY →

Refreshed a much-loved Exmouth Market café’s brand and built a site 7,000 people used in year one.

  • Client
  • Brand
  • Digital
2026▶ preview

Ayaku Cacao

CASE STUDY →

A bowl of cacao, built from two ancient Andean symbols.

  • Client
  • Brand
…and build it in painted letters
Ongoing▶ preview

Painted Names

CASE STUDY →

Type a name. Build a painting. A personalised print shop where every letter is an original artwork.

  • Playground
  • Brand
  • Digital
2019–2020▶ preview

Proactive

CASE STUDY →

Took a new brand from logo to launch: website, a launch party for 100 and a year on the expo circuit.

  • Client
  • Brand
  • Digital
2023▶ preview

Golden City

VIDEO →

A journey up through the Golden City to meet its Godking.

  • Playground
2025▶ preview

QUAD

CASE STUDY →

A brand for a sport that doesn’t exist yet.

  • Playground
  • Writing
  • Brand
2025▶ preview

Spookopolis Strikes Back

GALLERY →

A chalk mural at the Old Diorama Arts Centre.

  • Playground
Gift Card Art
2024▶ preview

Gift Card Art

GALLERY →

My illustrations for Briki’s Pay It Forward gift cards.

  • Client
  • Playground
  • Brand
2019▶ preview

HERES

VIDEO →

Animated promo bumps for a London photography, art and events collective.

  • Client
  • Playground
  • Brand
  • Digital
2025▶ preview

Milk

VIDEO →

An animated conversation between me and my best friend Meredith.

  • Playground
  • Digital
2025▶ preview

Onions

VIDEO →

High-energy, kid-friendly edutainment. Written and voiced by me.

  • Playground
  • Digital
I’m still there, 17 years old, sitting on the shores of Erhai Lake looking out across the water, watching dragons. Hundreds of miles long they curled around the Cangshan mountains in the distance. Leviathan snakes, swimming through the air, diving into the valleys and reappearing on the other side, dancing between the peaks. The most beautiful sight I have ever seen in my life. This is why the Chinese believe in dragons, because they actually exist here. Lavender introduced me to some of her friends over dinner in Shanghai, a professional face reader slash cosmetic consultant with very obvious and very well done plastic surgery, and her partner, a young specialist in the art of Feng Shui. His clients would take his auspicious guidance on how to best lay out their offices. I tackled him with a few light questions from what I thought I knew about Chinese philosophy, and particularly the symbolism of dragons. He told me, “Dragons are the great inexplicable forces of heaven manifest in the world. They are creatures of the sky, but they reside in the great rivers, where they birth great civilisations, and when they take flight empires fall. Shanghai has a dragon, London has a dragon, all the great cities of the world have dragons.” “And we can see them?” “Only Kings. Kings, it was believed in the times of them, were the embodiment of dragons on Earth. They communed with them. Indeed, only a King may see a dragon and live.” I journeyed into the secrets of the Tao: the delicate winding path between the Yin and the Yang, characterised as a dance between the Dragon and the Phoenix, or birth and death, or the Heavens and the Earth. Dragons never die. If they once ruled the Earth then they still do.
2026▶ preview

Chasing Dragons

READ MORE →

A short piece about the most delicious thing I have ever tasted: a bowl of noodles in a back alley in southwest China.

  • Playground
  • Writing
2022▶ preview

Spookopolis Returns

ARTWORK →

An impossible parallax that pulls you into the city.

  • Playground
I am not a robot
Christmas Cards
Ongoing▶ preview

Christmas Cards

GALLERY →

My Christmas card designs over the years.

  • Playground

Digital Painting & Animation · 2023

This piece experiments with taking the viewer on a journey up through the Golden City, ultimately meeting its Godking, a giant purple tentacle monster that has haunted my artwork since I was a child.

There is an awful lot going on here, too much even, maybe that’s part of the point… I’m not really sure. It can be hard to strike a balance between engaging and overwhelming, but something I re-learned with this one is that people prefer knowing where to look; future projects should pay more attention to pacing and guiding the viewer in video.

Embedded in the artwork are some AI-generated video clips I created for use as billboard displays on the buildings (can you spot them?), to the effect of creating a contrast between my art and the “in-world advertisements”.

This piece was inspired by – and designed to be watched to – the song Normalizo by Letta Mbulu.

“There was a time when this whole life was a village,
Happy days, loving eyes, kiss the sun and catch the sky,
Walk together, eat together, every man a brother,
That was then,
So very different from the Golden City”

Original digital art and animation using Adobe Suite (Fresco, Photoshop, Premiere Pro and After Effects, with small experimental AI-generated elements from Firefly and Runway ML).

Chalk Mural · 2025

I had the insane pleasure of chalking up this wall at the Old Diorama Arts Centre as part of the From Soil To Stone exhibition, which ran until the end of 2025.

The three monster heads in the foreground act as headrests for the sofa in front, munching whoever sits there. In the midground a giant robot frolics through the city, crushing and taking what it pleases while the bean people gawk in horror and awe. The bottom of the robot’s shoe is a complex of television screens.

My mantra with this one was “hundreds of people might see this, make it entertaining”.

★ Beep ★ Boop ★

All photos by @chrissypeaches

▦ gallery

2024

Single-use £5 paper cards that Briki’s customers can give as a gift or pass on to someone in need for a coffee and something to eat. Any unspent balance goes to the housing charity Shelter.

Promotional Bumps · 2019

HERES was a London photography, art and events collective exploring Londoners’ shared culture and heritage. I joined in 2019 to help shape the early brand and produce digital media.

Showcased here: a series of short promo “bumps” for Instagram and YouTube, built to grab attention, celebrate the team’s photography and build intrigue ahead of launch.

Made with Adobe Premiere Pro and After Effects.

▶ video

2025

An animated conversation between me and my best friend Meredith.

▶ video

2025

High-energy, kid-friendly edutainment. Written and voiced by me.

Digital Painting & Animation · 2022

I wanted to bring an experiment with movement and colour into my cityscape paintings.

The foreground and background move in opposite directions, which doesn’t make physical sense. This impossible parallax is designed to elicit a feeling of disorientation and being sucked into the piece. The whirlpool shape of the city is made explicit by the spiral runway into the fish mouth at the centre.

“When we gon’ rise up?
When we gon’ wise up,
We in the same boat,
We ride the same sail”

Original digital art and animation using Adobe Suite (Fresco, Photoshop, Premiere Pro and After Effects).

▶ video

2021

I Am Not A Robot is an art series by creative Amy Jackson, with whom I collaborated to produce supporting digital media: the video and the interactive web toy. The questions the piece asks come from a place of both hope and hopelessness in the rapidly shrinking space that still belongs to us humans.

▦ gallery

Ongoing

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☺ about⌂ home
Torren Pietzsch

About

I’m Torren Pietzsch, a London-based designer and creative producer. I’ve been making up brands for fun since I was a kid.

I rolled out a recruitment firm’s rebrand, from the website to the launch party, and I’ve designed and built websites for small businesses and creatives, including a specialty coffee shop’s site used by 7,000 people in its first year. I’ve also been putting on events since I was a teenager, from council youth programmes to art nights in Camden.

I like the whole journey: working out what a brand needs to say, building the identity that says it, then making it happen in the real world.

Outside work I paint, write, perform improv and make funny videos, which is where most of my ideas start.

Tools
Photoshop, Premiere Pro, Fresco, Webflow · After Effects, Illustrator · Claude Code, Claude Design
Currently
looking for a role with a creative agency.