Proactive

Rebrand rollout, website, launch event and industry presence

In 2019 Proactive, whose clients included Transport for London, Arriva, Ticketmaster, Thames Clippers and the London Olympics, rebranded to position itself for growth and an eventual sale. Once design studio Polygon delivered the new logo and brand package, I was brought in to lead the rollout: applying the identity across every touchpoint, designing and building the new website, launching the brand to around 100 clients and press, and representing it at industry events through the year.

Client
Proactive, recruitment and staff management for the UK transport and events industries
Role
Brand Manager (in-house)
Year
2019–2020
Scope
Brand rollout · Website · Launch event · Print and merch · Industry events · Press
A collage of the Proactive rebrand: the Lucky P unveiled at the launch, stationery, business cards, the expo stand, a champagne toast and a press shoot
01

Identity rollout

Polygon created the new mark, which I nicknamed “Lucky P”: a box-built P that works as logo, badge and mascot. I applied it across the website, print collateral, event merchandise, presentations and corporate materials.

Proactive letterhead, envelope and folder with the Lucky P
The Proactive logo, notebooks and Lucky P tote bags
Proactive business card, back and front
Unveiling the Lucky P at the launch
02

Website

The old site was clunky, wordy and old-fashioned, and it still carried the old logo. The new one had two very different jobs.

Get people to the job board, fast. Reaching the job board was the main reason anyone visited, and it fed straight into Proactive’s custom Salesforce platform. On the old site it was buried in the menus, so I made it a clear button on the landing screen.

Sell the business. For clients and potential buyers, the landing page worked like a pitch deck, with a sales-funnel structure and light scroll animations. It walked visitors through what Proactive did best, including its proprietary technology.

Both jobs were shaped by UX workshops with staff, which set the design principles: friendly, open and true to the company’s humanist values. After launch I kept iterating on feedback from the office sales team and field staff, keeping the site fast and easy to use.

“Exactly what I had imagined.”

— Ruth Rubin, CEO
Webflow · 2019
03

Launch event

House of St Barnabas, Soho · around 100 guests, including clients and industry media.

I owned it end to end: venue, guest list and invitations, agenda, catering, entertainment and goody bags. I hired and ran a three-person event team: a photographer, a technical assistant and a guest liaison.

Presenting the new Lucky P
A guest speaker presenting at the launch
Guests in conversation by the garden windows
Guests talking by the birch-tree wallpaper
Armfuls of Lucky P goody bags
A double-handed champagne toast
04

Industry events and press

I ran Proactive’s presence at the British-Irish Airports Expo, the Annual Rail Awards and the Aviation Reception, writing briefing packs for staff beforehand and running debriefs after.

I also secured features in The Parliamentary Review and Recruiter magazine, writing the copy and directing photoshoots of Proactive’s staff across London.

The Proactive stand at the British-Irish Airports Expo, from above
Talking to a visitor at the Proactive stand
The Proactive team in front of the giant Lucky P on the stand
A visitor helping himself to sweets at the Proactive stand
Press photoshoot: a Proactive staff member on a London Overground platform
Press photoshoot: a Proactive staff member by the Thames Clippers
Press photoshoot: Proactive staff at Paddington for Heathrow Express
05

What happened next

The business was later sold to the market leader in its sector.

Torren Pietzsch
Hi! I’m Torren Pietzsch, a London-based designer and creative producer. Below are some of my creations, feel free to look around!
all 16 projects
2024▶ preview

Briki

CASE STUDY →

Refreshed a much-loved Exmouth Market café’s brand and built a site 7,000 people used in year one.

  • Client
  • Brand
  • Digital
2026▶ preview

Ayaku Cacao

CASE STUDY →

A bowl of cacao, built from two ancient Andean symbols.

  • Client
  • Brand
…and build it in painted letters
Ongoing▶ preview

Painted Names

CASE STUDY →

Type a name. Build a painting. A personalised print shop where every letter is an original artwork.

  • Playground
  • Brand
  • Digital
2019–2020▶ preview

Proactive

CASE STUDY →

Took a new brand from logo to launch: website, a launch party for 100 and a year on the expo circuit.

  • Client
  • Brand
  • Digital
2023▶ preview

Golden City

VIDEO →

A journey up through the Golden City to meet its Godking.

  • Playground
2025▶ preview

QUAD

CASE STUDY →

A brand for a sport that doesn’t exist yet.

  • Playground
  • Writing
  • Brand
2025▶ preview

Spookopolis Strikes Back

GALLERY →

A chalk mural at the Old Diorama Arts Centre.

  • Playground
Gift Card Art
2024▶ preview

Gift Card Art

GALLERY →

My illustrations for Briki’s Pay It Forward gift cards.

  • Client
  • Playground
  • Brand
2019▶ preview

HERES

VIDEO →

Animated promo bumps for a London photography, art and events collective.

  • Client
  • Playground
  • Brand
  • Digital
2025▶ preview

Milk

VIDEO →

An animated conversation between me and my best friend Meredith.

  • Playground
  • Digital
2025▶ preview

Onions

VIDEO →

High-energy, kid-friendly edutainment. Written and voiced by me.

  • Playground
  • Digital
I’m still there, 17 years old, sitting on the shores of Erhai Lake looking out across the water, watching dragons. Hundreds of miles long they curled around the Cangshan mountains in the distance. Leviathan snakes, swimming through the air, diving into the valleys and reappearing on the other side, dancing between the peaks. The most beautiful sight I have ever seen in my life. This is why the Chinese believe in dragons, because they actually exist here. Lavender introduced me to some of her friends over dinner in Shanghai, a professional face reader slash cosmetic consultant with very obvious and very well done plastic surgery, and her partner, a young specialist in the art of Feng Shui. His clients would take his auspicious guidance on how to best lay out their offices. I tackled him with a few light questions from what I thought I knew about Chinese philosophy, and particularly the symbolism of dragons. He told me, “Dragons are the great inexplicable forces of heaven manifest in the world. They are creatures of the sky, but they reside in the great rivers, where they birth great civilisations, and when they take flight empires fall. Shanghai has a dragon, London has a dragon, all the great cities of the world have dragons.” “And we can see them?” “Only Kings. Kings, it was believed in the times of them, were the embodiment of dragons on Earth. They communed with them. Indeed, only a King may see a dragon and live.” I journeyed into the secrets of the Tao: the delicate winding path between the Yin and the Yang, characterised as a dance between the Dragon and the Phoenix, or birth and death, or the Heavens and the Earth. Dragons never die. If they once ruled the Earth then they still do.
2026▶ preview

Chasing Dragons

READ MORE →

A short piece about the most delicious thing I have ever tasted: a bowl of noodles in a back alley in southwest China.

  • Playground
  • Writing
2022▶ preview

Spookopolis Returns

ARTWORK →

An impossible parallax that pulls you into the city.

  • Playground
I am not a robot
Christmas Cards
Ongoing▶ preview

Christmas Cards

GALLERY →

My Christmas card designs over the years.

  • Playground

Digital Painting & Animation · 2023

This piece experiments with taking the viewer on a journey up through the Golden City, ultimately meeting its Godking, a giant purple tentacle monster that has haunted my artwork since I was a child.

There is an awful lot going on here, too much even, maybe that’s part of the point… I’m not really sure. It can be hard to strike a balance between engaging and overwhelming, but something I re-learned with this one is that people prefer knowing where to look; future projects should pay more attention to pacing and guiding the viewer in video.

Embedded in the artwork are some AI-generated video clips I created for use as billboard displays on the buildings (can you spot them?), to the effect of creating a contrast between my art and the “in-world advertisements”.

This piece was inspired by – and designed to be watched to – the song Normalizo by Letta Mbulu.

“There was a time when this whole life was a village,
Happy days, loving eyes, kiss the sun and catch the sky,
Walk together, eat together, every man a brother,
That was then,
So very different from the Golden City”

Original digital art and animation using Adobe Suite (Fresco, Photoshop, Premiere Pro and After Effects, with small experimental AI-generated elements from Firefly and Runway ML).

Chalk Mural · 2025

I had the insane pleasure of chalking up this wall at the Old Diorama Arts Centre as part of the From Soil To Stone exhibition, which ran until the end of 2025.

The three monster heads in the foreground act as headrests for the sofa in front, munching whoever sits there. In the midground a giant robot frolics through the city, crushing and taking what it pleases while the bean people gawk in horror and awe. The bottom of the robot’s shoe is a complex of television screens.

My mantra with this one was “hundreds of people might see this, make it entertaining”.

★ Beep ★ Boop ★

All photos by @chrissypeaches

▦ gallery

2024

Single-use £5 paper cards that Briki’s customers can give as a gift or pass on to someone in need for a coffee and something to eat. Any unspent balance goes to the housing charity Shelter.

Promotional Bumps · 2019

HERES was a London photography, art and events collective exploring Londoners’ shared culture and heritage. I joined in 2019 to help shape the early brand and produce digital media.

Showcased here: a series of short promo “bumps” for Instagram and YouTube, built to grab attention, celebrate the team’s photography and build intrigue ahead of launch.

Made with Adobe Premiere Pro and After Effects.

▶ video

2025

An animated conversation between me and my best friend Meredith.

▶ video

2025

High-energy, kid-friendly edutainment. Written and voiced by me.

Digital Painting & Animation · 2022

I wanted to bring an experiment with movement and colour into my cityscape paintings.

The foreground and background move in opposite directions, which doesn’t make physical sense. This impossible parallax is designed to elicit a feeling of disorientation and being sucked into the piece. The whirlpool shape of the city is made explicit by the spiral runway into the fish mouth at the centre.

“When we gon’ rise up?
When we gon’ wise up,
We in the same boat,
We ride the same sail”

Original digital art and animation using Adobe Suite (Fresco, Photoshop, Premiere Pro and After Effects).

▶ video

2021

I Am Not A Robot is an art series by creative Amy Jackson, with whom I collaborated to produce supporting digital media: the video and the interactive web toy. The questions the piece asks come from a place of both hope and hopelessness in the rapidly shrinking space that still belongs to us humans.

▦ gallery

Ongoing

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☺ about⌂ home
Torren Pietzsch

About

I’m Torren Pietzsch, a London-based designer and creative producer. I’ve been making up brands for fun since I was a kid.

I rolled out a recruitment firm’s rebrand, from the website to the launch party, and I’ve designed and built websites for small businesses and creatives, including a specialty coffee shop’s site used by 7,000 people in its first year. I’ve also been putting on events since I was a teenager, from council youth programmes to art nights in Camden.

I like the whole journey: working out what a brand needs to say, building the identity that says it, then making it happen in the real world.

Outside work I paint, write, perform improv and make funny videos, which is where most of my ideas start.

Tools
Photoshop, Premiere Pro, Fresco, Webflow · After Effects, Illustrator · Claude Code, Claude Design
Currently
looking for a role with a creative agency.